TV Tray Recording

Staff

John Baffa

John Baffa has been in the professional audio business for more than 20 years; primarily as a recording engineer. He founded TV Tray Recording Studio in 2003, working literally from the top of a TV tray as he learned the ins and outs of recording. From those humble beginnings, the studio grew and developed over the years; building an impressive list of clients and projects spanning a huge range of genres.

Simultaneously continuing to mix live sound, he honed his chops in such places as the Alex Theater in Glendale and West Hollywood’s legendary Troubadour, as well as in venues all over the world, including the Sydney Opera House. John has held positions on both the faculty and staff at the Herb Alpert School of Music at California Institute of the Arts since 2000.

In 2014, John was recognized with his first Grammy award for his work recording and mixing Partch on Plectra and Percussion Dances.

Over his career, John has worked with a diverse set of performers, mixing such artists as Lou Reed’s Metal Machine Trio, Johnny Cash, Mike Patton, Henry Rollins, The Melvins, Pulley, Ten Foot Pole, Vinny Golia, Ullrich Krieger, Vicki Ray, David Rosenboom, Plotz, Dr Mint, the Los Angeles Percussion Quartet, Anne Hall, Towse, and Aukland.

In addition to working from the home base of TV Tray, John has developed working relationships with a variety of spaces throughout Los Angeles and Ventura Counties, including Brotheryn, the Bridge, Westlake Recording, Kingsize Soundlabs, Firehouse, and CalArts. This greatly expands the production opportunities for your project, whether because of distance, the scale of your production, or specific requests for instruments or gear.

Daniel McNamara

Daniel McNamara is Canadian, so by default he is the most polite staff member. He has been using The Tray as his home base for two years since moving to California. The beautiful scenery, excellent workspace and affordable tacos make it an ideal setting for him to get serious work done.

Daniel enjoys working on all music, especially anything with electronics, and has a knack for producing music in the jazz, indie and ambient idioms. He loves mixing records and helping artists design their individual sound.

Bradley Butterworth

Bradley’s roots as a musician go back to his hometown Detroit, Michigan. His love for Motown and R&B permeates his compositions and aesthetics as an engineer. After moving to Los Angeles, he began studying world music with an emphasis on Ghanaian high life music. He is a front of house engineer at The Troubadour in West Hollywood as well as an audio engineer at The Young Turks News Network. Bradley holds a BA in guitar performance from Columbia College Chicago and a MFA in composition and performance from The California Institute of the Arts.